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Manon Lescaut, by Abbé Prévost
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This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.
- Published on: 2012-05-16
- Released on: 2012-05-16
- Format: Kindle eBook
Most helpful customer reviews
10 of 11 people found the following review helpful.
Translation of a French classic.
By Gingerbread Man
Talk about tragic love stories. This is one of the all-time greats. I originally read this in French which was a challenge to say the least. Oddly enough, it's pretty hard to read in English. I don't know why--maybe the style of writing. The translation is very good though, so I don't blame that. Nevertheless, once the action picks up the story kind of carries you along and the words don't get in the way. Basic story is guy meets girl, falls hard and then they are separated and reunited several times throughout the tale. He falls harder each time. Think "Body Heat" or "Casablanca" where the guy is just caught up with love and beauty. This story is so great it has become a classic opera as well.
0 of 0 people found the following review helpful.
A tragical 18th century romance
By Cris-Cras
In 18th century, Montesquieu disaproved Manon Lescaut. In his opinion, it was insurrection, indiscipline, untraditional behavior and morals. What he didn't know, it was the beginning of the Romanticism.
It became popular: a tragical love affair between lovers separated by social-economical hierarchy.
The story is told by De Grieux's point of view. Is it fiction? Did Grieux created Manon's thoughts or acts? We'll never know. We only see Griex's feelings. As I always state in my review of classics, every relationship is fiction, even the one with oneself. There're things we are not equipped to bear.
This is a story about cross-lines, cross-lovers, cross-bounds. Griex, knight, destined to church, falls deeply in love with a beautiful common girl, Manon. A scandal. Against all odds, he decided to pursue his passion.
Prevost builds emotions while actions, reactions and consequences develop. The couple are separated constantly, by his family and by betrayal on her part. Griex is driven insane when he discovered the betrayal and poured out his pain in lines that showed what a man feels when that happens. It causes pathological reactions. Until recently, it was a cry for innocence, a pledge of innocent in Court, if a murder was committed in such a state.
Depending on the way the story is told and on the readers' experiences, emotions scream out from the page. Griex tells us his in such a blatant way that we share them. He's in such desperate need of Manon's love that haywires, specially with those that helped him without second intentions. As if the others' feelings for him - and his for them - could make up for his loss. It's a lack of discipline, a saying `help me, I need you.' It's sadness, need, which has to be mitigated.
After the calmness he had achieved during months in church, he sees her, and has an ephiphany: she's the one. Nothing, could compensate such a loss. It's passion at its fullest, otherworldly. As the one John Keats felt for Fanny Brown, in Bright Star.
They go to New Orleans. She explains the betrayed occurred because she was afraid of dying poor. Griex discovers he has to learn about Manon and the New World. She tells him her heart's fidelity is his but not her body's loyalty.
Interesting point: Body's and heart's fidelity and loyalty are not a male possession. They're lovers', partners'. Men can't dictated what a women should do. It should be discussed and agreed upon.
Man follows rules because they exist without think.
While traveling, a steady bond is formed. Forgetting their love was more important than a piece of paper, they are trapped when ask permission to marry.
A passion like theirs controls bodies, hearts and souls, never freeing one from another. As Munch's The Kiss lovers when separated, experienced anguish and torment because they need that special connection again, I could see Grieux and Manon in Munch's paintings.
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2 of 2 people found the following review helpful.
French Classic
By L. M. Keefer
I read this book in French class some years ago and was just grateful that it was fairly simple enough to translate and follow the plot. This was written before novels had reached a kind of status, a professor at Brown University told us in a Coursera lecture.
It seems the author was raising the question can that kind of pure, intense first love you encounter survive in the corrupt Old World of Europe or in the more supposedly innocent New World of America in the area of New Orleans where the lovers ultimately end up?
The author seems to suggest that no, love needs society's support and sanction to survive. If you don't have money, and can't support yourselves, love is not going to flourish. In this novel, the female love interest has to resort to prostitution to survive. But she tells her smitten young lover, what matters is if the heart is faithful even if she doesn't have the luxury of having her body be faithful to him.
The professor told us this wasn't a story of a family feud keeping lovers apart as in ROMEO AND JULIET, but their class system keeping them apart. He was of a more gentleman class, she was of the lower class. At the tender age of 18, he didn't have the means yet to support them and was destined for the ministry as the second son.
You do wonder what the author was trying to say in this novel - that love needs more than love to flourish? I think I enjoyed this story more in French than in English. But for one of the early forms of novels, it is surprisingly modern. However, it's more action and emotion, and not as nuanced as modern novels. You can see how it would be an excellent plot for an opera.
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