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The Odyssey, by Homer, Alexander Pope
Download Ebook The Odyssey, by Homer, Alexander Pope
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This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.
- Published on: 2012-05-16
- Released on: 2012-05-16
- Format: Kindle eBook
Review
Mr. Fagles has been remarkably successful in finding a style that is of our time and yet timeless. -- Richard Jenkyns, The New York Times Book Review
Robert Fagles is the best living translator of ancient Greek drama, lyric poetry, and epic into modern English. -- Garry Wills, The New Yorker
Wonderfully readable... Just the right blend of roughness and sophistication. --Ted Hughes
About the Author
Alexander Pope (21 May 1688 – 30 May 1744) was an 18th-century English poet, best known for his satirical verse and for his translation of Homer's Iliad (ISBN 9781480048348) and Odyssey (ISBN 9781490516424). Famous for his use of the heroic couplet, he is the third-most frequently quoted writer in The Oxford Dictionary of Quotations, after Shakespeare and Tennyson.
Pope had been fascinated by Homer since childhood. In 1713, he announced his plans to publish a translation of the Iliad. The work would be available by subscription, with one volume appearing every year over the course of six years. Pope was 25 years old. He secured a revolutionary deal with the publisher Bernard Lintot, which brought him two hundred guineas (£210) a volume, equivalent to about £26,000 as of 2012, a vast sum at the time.
Encouraged by the success of the Iliad, Pope translated the Odyssey. The translation appeared in 1726, but this time, confronted with the arduousness of the task, he enlisted the help of William Broome and Elijah Fenton. Pope attempted to conceal the extent of the collaboration (he himself translated only twelve books, Broome eight and Fenton four), but the secret leaked out. It did some damage to Pope's reputation for a time, but not to his profits.
By the mid-18th century new fashions in poetry emerged. A decade after Pope's death, Joseph Warton claimed that Pope's style of poetry was not the most excellent form of the art. The Romantic movement that rose to prominence in early 19th-century England was more ambivalent towards his work. Though Lord Byron identified Pope as one of his chief influences (believing his scathing satire of contemporary English literature English Bards and Scotch Reviewers to be a continuance of Pope's tradition), William Wordsworth found Pope's style fundamentally too decadent a representation of the human condition.
In the 20th century Pope's reputation was revived. Pope's work was found to be full of references to the people and places of his time, and these aided people's understanding of the past. The postwar period stressed the power of Pope's poetry, recognising that Pope's immersion in Christian and Biblical culture lent depth to his poetry. Maynard Mack thought highly of Pope's poetry, arguing that Pope's moral vision demanded as much respect as his technical excellence. In the years 1953–1967 the production of the definitive Twickenham edition of Pope's poems was published in ten volumes.
Most helpful customer reviews
23 of 27 people found the following review helpful.
Not my favorite translation
By Roast Pork
Pope translates it in verse, which is fine. I like my Robert Fitzgerald translation into verse a lot. What I like least about Pope's translation is that all the Greek people and Greek gods are given Roman-equivalent names. Thus, Odysseus is rendered "Ulysses," Athena is called "Minerva," Poseidon goes by "Neptune," etc.
In any event, Pope's entire translation is available as a free e-book (do a google search), so you can read the whole thing online before deciding whether this is the translation that you want to buy in book form.
10 of 11 people found the following review helpful.
This translations takes the excitement out of the poem.
By rainbow_bright's closet
First let me say that works by writers such as Homer and Shakespeare are hard to read when they are not translated into modern English. It can be hard not to get lost in the wording since it's generally not natural to us. The density of the text didn't contribute to the rating since with texts like these, you should know what you are getting into. I have read The Odyssey multiple times, but from different sources. I LOVE it and all things mythologically Greek. I feel that information is important to explain my rating. I'm not rating the story, but the translation and format in which it was presented.
First there is a long, pretentious preamble that jumps from philosophical explanations, to a biography of Homer, to an analysis of different translations. It's a rough read. Second, this translation converts the original Greek to Roman counter parts. Odysseus is called Ulysses, Athena is called Minerva, etc. I feel like that destroys the very basis of the story. Imagine opening a book titled Romeo and Juliet and from page 1 the characters are called Tony and Jennifer. There's no other way to put it, it's just wrong! This can also cause difficulties when discussing the book with others or if it's being read for a class. Third, this translation groups the verse lines into paragraphs. This will also cause issues if you are reading for a class because you cannot cite verse lines. I received this e-book for free in exchange for my honest opinion, but I'll be deleting it in favor of a better translation.
3 of 3 people found the following review helpful.
The rest of the story about what happened to the Greeks...
By Luanne Coachman
Having started in on Pope's translation of the Odyssey immediately upon finishing his translation of the Iliad, I am finding myself thinking in iambic pentameter. Use of the rhymed, strictly metered couplets certainly lends power and majesty to this translation, but the 18th century conventions make it somewhat less compelling for me than the Fagles translation, which also uses metre for power, but avoids rhyme and rings truer to the 21st century ear. Still, this story is a compelling one and Homer, through these translators, tells it powerfully. His sense of where to begin the narrative and how to move it along is unerring. While still a majestic work of art after more than 3000 years, I find the Odyssey lags slightly behind the Iliad in excellence, perhaps because it is so much more narrowly focused on one individual whose character is pretty static throughout. The Iliad's heroes, some of whom we meet briefly as shades in the Odyssey, on the other hand, transform as the story unfolds. I find both books left me in the end with a sense of the futility, even foolishness, of war and provided much food for thoughts about how the telling of the stories achieved that.
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